Showing posts with label Languedoc-Roussillon. Show all posts
Showing posts with label Languedoc-Roussillon. Show all posts

Monday, 28 November 2016

Applause for La Clape

The vast expanse of Languedoc-Roussillon and its swathes of vineyards making a myriad of different wines can be daunting to get to grips with.

At its simplest, IGP Pays d’Oc is the catch all appellation for wines made anywhere across the region, often with varietal labelling. And while I’m pleased Pays d’Oc exists, there are many worthwhile wines to be found by digging deeper into Languedoc and Roussillon.

But there are so many names to remember! Here are just a few wine appellations off the top of my head: Fitou, Minervois, Pic St Loup, Faugères, Saint Chinian, Picpoul de Pinet – there are many, many more. Oh, and you might also come across AOC Languedoc; and IGP Côtes Catalanes functions like IGP Pays d’Oc for Roussillon. In short, the picture is, as always, complicated.

To help decode some of the mystique, here’s a quick guide to one of the appellations responsible for some of the most exciting and characterful wines from the region. It also helps that the name is simple for Anglophones to get their tongues round:  La Clape.

La Clape is a one-time island, which now forms a conspicuous bump of limestone on the coastal plain between the city of Narbonne and the Mediterreanean. The environment is harsh – the salt-laden wind, poor rocky soils and baking sun make it fit really for only for vines and olives.

Wines from here seem to have a unique character, which must be influenced by their singular growing environment. Flavours are ripe, but with a grip and freshness that might surprise you, given their southerly origins.

White
Château Rouquette Cuvée Arpège 2015 - £10.95 from the Wine Society
All white wines from La Clape must include some Bourboulenc – a variety native to the Rhône Valley. It can be rather characterless, but in La Clape it assumes a richness of flavour, while retaining all-important freshness, alongside “grip” – a certain texture that red wines usually have, but white wines tend not to. Here it is blended with Rhône bedfellow Roussanne, and is unoaked, making for vibrant, fresh fruit flavours that refresh and cleanse the palate.

Château d’Anglès Grand Vin Blanc 2012 - £19.80 from Hedonism Wines
Eric Fabre, ex of Château Lafite Rothschild, knows a thing or two about crafting fine wines. His Classique blanc is in the same mould at Ch Rouquette above, but this Grand Vin, a blend of Bourboulenc, Grenache, Roussanne and Marsanne has been fermented and aged in oak, giving a wine of power and complexity. You can also find Château d’Anglès Grand Vin Rouge 2010 at online merchant Vin Cognito for £14.50.

Red
Château Rouquette 2014 - £10.95 from the Wine Society
The red incarnation of Ch Rouquette combines old vine Carignan with Grenache, Syrah and Mourvèdre – hardly an unusual recipe in this part of the world; but the singularity of La Clape gives the wine a saline tang and wonderful texture.



Upcoming wine events in Surrey

I'm involved in a few wine events between now and the end of the year. It would be great to see some readers at one or both.

6 December, 8pm – Wine Discovery evening at Cellar Magneval, Woking – a relaxed evening of wine tasting and learning at Woking’s cool and quirky wine bar, focusing on wines for Christmas. See: http://www.cellarmagneval.com/woking-events

15 December, 8pm – The fine wines of Burgundy at Cellar Wines, Ripley – do the ultimate Christmas Day wines come from Burgundy? More details and booking: https://www.cellarwines.co.uk/events/the-fine-wines-of-burgundy/





Thursday, 10 November 2016

Time for a Carignan rehabilitation

Carignan is probably not a grape variety whose name readily trips off the tongue. It’s not one of the highly regarded, “noble” varieties like Cabernet Sauvignon or Chardonnay. Nor is it, like Pinot Grigio, so ubiquitous that people ask for a glass of it by name in their local gastro pub.

So, a potted biography of Carignan is perhaps in order.

Carignan is mostly found in Languedoc-Roussillon, where it generally forms part of a blend and is rarely seen or its own, or, indeed trumpeted on a front label. It originates, however, in Aragon in northeastern Spain. Back in its native land, it is often known as Mazuelo (or Mazuela in Rioja) or, in Catalonia, Samsó, though you may also see Cariñena (which is also, confusingly, the name of a wine region). Outside France and Spain, you are most likely to come across it in Chile where, thankfully, it is called simply Carignan. There is some in North America, where it has acquired an extra “e” as Carignane.

Carignan has been recorded in southern France since Medieval times, but this longevity has not led to respect and it tends to be labelled a workhorse variety at best. At worst it is derided or even despised. Why?

Carignan needs a long, warm growing season to ripen fully, so it has never spread to cooler parts of France. Its influence in southern France has been waning in recent years, but it was valued by growers, especially up until the latter part of the 20th century, as a high yielding grape which added colour, alcohol and acidity to otherwise weedy wines.

The Carignan vine is a vigorous grower which will provide high yields, if allowed to, which give a deep coloured, high acid wine that is long on tannin and short on fruit. Sounds good, huh? But, but – lower yielding old vines that have not been irrigated and whose fruit has been treated carefully can give wines with distinct, rich inky black fruit, accompanied by present but pleasant tannins and that acidity gives a freshness that is welcome in wines from a warm climate.

Many Carignan vines have been pulled up in Languedoc-Roussillon, partly encouraged by government vine pull schemes. Those that remain are, increasingly, those older bushvines on better land away from the flat, fertile plains – and they make correspondingly better, increasingly very good, wines.

So, now is the time to discover and rehabilitate Carignan – say its name with pride.

3C, Cariñena 2015 (Spain)- £5.25 The Wine Society
Ignore the hideous label and tuck into the delightlful unoaked Carignan within. There is plenty of juicy black fruit and a lick of tannin that will hit the spot on many a chilly, dark night. You are unlikely to find another red wine that packs so much flavour in at this price.

Les Crouzes, Carignan Vieilles Vignes 2015 - £6.49 Co-op
Despite its ubiquity, it is still rare to find a 100% Carignan wine in the Languedoc. This is the essence of the Midi, where a certain rusticity meets fresh and fruity to great effect.

Torres Cordillera Carignan 2009 (Chile) - £13.99 Taurus Wines, Bramley
This is a brilliant example of Carignan made from old, unirrigated bush vines in the Maule region of Chile. Producers there have now banded together to form the VIGNO project, designed to highlight the wines made from these increasingly rare old (sometimes up to 100 years old) vines. This is full of black, brambly fruit with bay leaf herbal characters and a lipsmacking freshness.


Monday, 4 July 2016

That's the way to do it - building a French wine brand

If there’s one thing that French winemakers can’t do, it’s create big successful brands, right? Well, maybe not…

It’s true that French wine is traditionally governed by the dictates of the Appellation Contrôlée laws, so that AC (or AOP nowadays) wines are labelled according to their geographical origin. This is fine for really well known ACs/AOPs like Bordeaux and Champagne which are, in effect, brands which transcend the geographical nature of the regulations.

But what about  AOP Côteaux du Giennois? Or AOP Côtes de Toul maybe, or AOP Tursan? A good number of the over 300 wine AOPs in France are househould names, but many more, like these ones, are not. Consumers (and even wine trade folk) cannot be expected to know where they all are and what style of wine will be in the bottle. And why should understanding wine be such a difficult business anyway?

Building a commercial brand often means departing from the strict regulations of the region’s AOP. Consumers want to see a name that they are familiar with, which provides a feeling of comfort and security - without the need to understand French wine law.

The Vin de Pays category, so successful in the 1980s and 90s, did act as a kind of brand. The vast majority were from that huge swathe of vineyard areas in the south, collectively known as Languedoc-Roussillon. Vin de Pays d’Oc was a boon to wine drinkers: often varietally labelled, usually good value red, white and rosé wines that were easy to understand and appreciate.

Now, however, Vin de Pays is no more and wines should instead be labelled as IGP (Indication Géographique Protégée). Though Languedoc-Roussillon producers can also put the words “Pays d’Oc” on the label, as a nod to the good old days of Vin de Pays d’Oc.

French producers who want to include grape varieties outside the rules of the AOP can often use the IGP as an alternative. For those who want to blend between regions, something that is common in the New World, the catch-all Vin de France category is a useful support. And yet thus far, there have been few truly successful French wine brands.

One French wine company which is doing better than many at building brands is Badet Clément. You may not have heard of the name, but you may well have seen their Les Jamelles wines in the Co-op; or perhaps come across one of their Abbotts & Delaunay range on a restaurant wine list. They also have a range of other brands which are more directed towards other markets across Europe and beyond. Their total annual production of 15.6 million bottles gives you an idea of the scale of their operation.




Surprisingly, perhaps, all this is the work of a husband and wife team, Laurent and Catherine Delaunay, who recently celebrated the twentieth anniversary of their business. Of course Badet Clément is more than Laurent and Catherine, who now employ 50 people and boast a shiny new winery to facilitate even further growth in future.

Their Les Jamelles wines are a neat range of varietally labelled wines (all IGP) with plenty of easy-going consumer appeal at keen prices.



Les Jamelles Viognier £5.99 until 12 July (usually £6.99) at the Co-op
A Viognier for people who don’t like the variety’s richness and weight, which can tend to flabbiness. This has good fresh acidity and juicy fruit with just a hint of peach.


Les Jamelles Syrah - £5.99 until 12 July (usually £6.99) at the Co-op
Soft, ripe Syrah with a mix of red and black fruit characters that speaks of the warm south, but with a good brightness and freshness too.






Les Jamelles Réserve Mourvèdre £7.49 at the Co-op
My favourite of the range, this has bags of brooding, black fruit with some herbal character in the background.



Monday, 31 March 2014

Little and Large in the Languedoc

Bad news stories about French wine are ten a penny: falling consumption, losing ground to the New World, too much poor quality stuff still made. However, the picture is not entirely bleak and there are also many success stories to be told – and I do not just mean Bordeaux First Growths lining their pockets thanks to cash-rich Far East investors.

The Languedoc, the world’s largest wine-making region, covering a vast swathe of southern France, has, as you might imagine, its fair share of what might politely be called unambitious wines. However, it is also home to quality-minded producers, proud of their unique terroirs, their old vines and confident in the region’s ability to make top notch wine.

Languedoc is also a stronghold of wine-making co-operatives, organisations which unite independent growers who provide their grapes (or sometimes juice) to a central facility which makes, matures and bottles the wine; and finally, markets it. It’s clear that such a model does not automatically drive high quality production – in less switched-on co-ops, where growers are paid based on the amount of grapes they deliver, there is little incentive to focus on quality, by maintaining vineyards with lower-yielding old vines for example – or on such concerns as sustainability.

In today’s competitive wine market there is ever less room for such a quantity-driven approach, however. Those wine co-operatives which are thriving nowadays are those which are dynamic, forward-looking and who embrace modern technology, but who also respect what growers with valuable vineyard plots are able to provide them, focusing on quality rather than quantity. Off the top of my head I’d point to Plaimont Producteurs in France’s Southwest, the Caves de Turckheim and Ribeauvillé in Alsace and Mailly Grand Cru in Champagne as co-ops which fit this description.

Vignobles Foncalieu, headquartered near the impossibly picturesque medieval walled city of Carcassonne, near Toulouse, have also showed that they are determined to aim higher in their quest to provide a market for their 1,200 individual growers stretching from Gascony to the Rhône Valley. Those growers tend 5,000 hectares of vines and produce 23 million bottles of wine annually.

At those levels of production, it would be foolish to say that quality is uniformly high, but it is certainly true that Foncalieu, under the leadership of President Michel Bataille, is focused on driving up quality and moving away from the “stack ‘em high, sell ‘em cheap” mentality.

As part of their push towards the top, in 2012 Foncalieu bought the well-regarded Corbières estate, Château Haut-Gléon, which it now runs as a kind of business within a business. Its wines are hard to find in the UK currently, but if you would like a taste of what the sleeping giant of Corbières is capable of, keep your eyes peeled for them. Perhaps the best way to sample Haut-Gléon’s wines is to go and stay at the Château itself, which has been refurbished to provide luxurious accommodation.

But as any student of marketing knows, there is always more than one strategy for success in a market. To say that Domaine Jones is at the opposite end of the scale to Foncalieu is to risk understatement. Founded, owned and run by Katie Jones, this pint-sized winery in the Fitou region of Languedoc makes just 20,000 bottles of wine a year from 10 hectares of vines.



Katie moved to France just over 20 years ago and spent most of that time helping to market and sell the wines of the Mont Tauch co-operative. In 2009 she made the leap and bought her first parcel of vines in Maury just over the “border” in Languedoc’s neighbour, Roussillon. A small and isolated plot of old vines with blocks of different grape varieties, as Katie says “The very things that make my small vineyard unattractive to the big growers make it a paradise for me.”

Although size-wise these two producers may be poles apart, they do share some common ground. The vast majority of the wine they make goes to export markets – 80% for Foncalieu, 98% for Domaine Jones.  They are also, in their different ways, part of the process of helping the Languedoc to climb out of the cheap wine ghetto.

Foncalieu and Domaine Jones wines in the UK

Katie Jones’ wines are available through Majestic, Naked Wines and The Wine Society – though, as they are necessarily made in rather small quantities, they are not all always in stock. Some of Katie’s most exciting wines are her whites and unfortunately, due to an act of vandalism last year, when the vats were deliberately emptied, all of her 2012 white wine production was lost.

Domaine Jones Côtes Catalanes Grenache 2012 - £11.95 from The Wine Society
At its most basic, Grenache makes wines that are fairly simple, combining strawberry fruit and white pepper. However, old vines such as these bring greater concentration and full-bodied, ink-tinged fruit.

Katie’s biggest production is of the red blend, Fitou, though currently both Majestic and Naked Wines have sold out of their stocks of 2011 – the 2012 will be on its way. Naked Wines customers can currently enjoy the simpler charms of her Le Petit Train Corbières 2012 (£9.99/£7.49)and Le Petit Train Syrah 2012 (£10.99/£8.25).

Domaine Cambos Gros Manseng 2012 – on offer at Hennings Wine Merchants for £5.50
From the Gascony end of Foncalieu’s production, Gros Manseng is a white grape incapable of making boring wines – fresh with a distinct grapefruit tang and a surprising amount of weight and persistence on the palate (and ony 11% alcohol).













Le Versant Viognier 2012 - £8.50 from Hennings Wine Merchants and other
independents
Le Versant is Foncalieu’s core range of varietal wines, which you might come across on many a restaurant wine list. This Viognier is their top seller in the range and supplies plenty of the variety’s typical stone fruit and honeysuckle aromas, with a more savoury feel on the palate.  Also look out for Le Versant Syrah, Merlot and Cabernet Sauvignon at around the same price.

Friday, 18 January 2013

I say PGI. You say, what?


I live in Surrey, which must be a hot contender as the middle, the very epicentre, of middle England. And if there’s one thing guaranteed to get under the skin of middle Englanders, it has to be the EU.  We are as the hobbits of the Shire and Brussels is Mordor – somewhere we would never choose to go and view with deep loathing and suspicion.

However, I like to think of myself as a forward-looking and easy-going pro-European type, not prone to casual Brussels-bashing.  And yet I do have a beef with Brussels on behalf of British wine drinkers – and French wine producers.

Let me explain.  Back in the 1970s, a time when I was innocent of all things winey, and more intent on deciding whether to swap my Blasé perfume sample for a Miner’s metallic green eyeshadow with my friend Tammy (I did, but am still not sure if it was a good move), a new French wine category emerged: Vin de Pays. 

Fast forward to the late 1980s and I, along with many UK drinkers had taken to Vin de Pays like ducks to water.  At about the same time that Australian wines arrived here, brashly brandishing their varietal labelling, Vin de Pays did the same for French wines – Chardonnay Vin de Pays d’Oc gives you a good idea of what to expect in the bottle and provides a general indication of where the wine is from – in this case anywhere in that vast swathe of southern France known as Languedoc-Roussillon.  And it is easy to say, a factor whose importance shouldn’t be overlooked.  Vin de Pays and especially Vin de Pays d’Oc, which accounted for around 85% of all Vin de Pays, came to make up almost 10% of the UK wine market – a success in anyone’s book.

But then, in 2009 along came an EU project to standardise and harmonise wine regulations across all countries.  On the positive side, this resulted in the creation of a new category, “Vin de France”, which allows wines to be sold which are multi-region blends and which can be made of any variety you care to think of.  This kind of wine is commonplace in the New World – any Australian wine that is labelled as coming from “Southeast Australia” for example. 

However, this harmonisation has also left the Vin de Pays category a bit of a dog’s dinner.  That user-friendly term was to be replaced by Indication Géographique Protégée, or IGP – also sometimes “anglicised” to PGI.  Consumers have had to get used to a name that is either a bit of mouthful to say, or an unmemorable 3-letter abbreviation – either way, a definite marketing disadvantage compared to what had gone before.  The EU has since “clarified” that the Vin de Pays wording can still be used, in parallel with the new IGP/PGI, leaving us with a situation where some producers have abandoned Vin de Pays and jumped ship to IGP, others have stuck steadfastly to the old labelling – and everything in between, including the use of Pays d’Oc without the Vin.  Confusion rather than harmonisation reigns.

The idea is that IGP should be used uniformly across the EU for the same category of wine, replacing the different terms that existed before, such as IGT (Indicazione Geografica Tipica) in Italy, or Viño de la Tierra in Spain.  It may not surprise you to know that Italian producers have largely ignored the new, harmonised, regulations and are still labelling their bottles IGT rather than IGP.  Plus ça change, as Delboy would doubtless have said.

Some Vins de Pays, sorry IGP Pays d’Oc wines, to seek out:


 
Paul Mas Vermentino 2011 - £7.99, or £5.24 if you buy two at Majestic
Jean-Claude Mas of Domaines Paul Mas is a powerhouse of well-made and original wines from across the Languedoc.  Vermentino may not be a familiar grape variety – it is mostly seen in wines from Sardinia and elsewhere in Italy.  However, it also goes by the name Rolle in Provence and is responsible for the famous white wines of Cassis (now there’s a confusing name for a white wine). This is a great easy-drinking wine with structure as well as freshness, making it a versatile food match.  At the promotional price it’s sensational value.








Mas des Dames Blanc 2011 - £12.95 from Roberson
Grenache Blanc is widely grown in the Southern Rhône and across the Languedoc, but is mostly added to give weight and alcohol to a blend.  Here it takes centre stage and, given careful treatment including low yields from vines grown in limestone-rich soil and six months in old oak barrels it makes for an original-tasting winter weight white.  The aromas of buttery pear and pear skin lead onto a weighty yet balanced mouthful with a finish of white pepper. It’s also certified organic.







Domaine Gayda, Figure Libre Cabernet Franc 2010 – available from various independent merchants, including Oxford Wine Company (£16.99) and Leon Stolarski (£14.95)
The price of this wine tells you that the IGP/PGI category, whatever its faults, is certainly no barrier to ambitious wine-making.  Cabernet Franc is another largely unsung variety that is usually subsumed into a blend with more assertive partners.  Allowed to show its true colours, it sings (to mix my metaphors):  black olive, violets and black fruit with a dash of bitters make for a cornucopia of ripe and slightly wild flavours – yet it retains freshness and great drinkability.

If this wine knocks your socks off, there are more wines to explore from Domaine Gayda, whose name, to the English ear, suggests an appeal to the pink pound demographic.  Their Chemin de Moscou 2010 is a more typical southern blend of mostly Syrah plus a dash of Grenache and Cinsault, which you can pick up for £19.99 from Leon Stolarski or £22 from Highbury Vintners.     

Monday, 16 April 2012

What have the Greeks ever done for us?


The poor Greeks have been through the wringer in recent times. I don't know what they have made of the wholly erroneous assertion that the only two words to have come to English from Greek are tragedy and crisis. A cursory glance at the dictionary soon gives the lie to this - abacus, abracadabra, academy and academe, acme, acne, acolyte, acoustic, acrobat, acronym, acrophobia, adenoids – all these words have Greek origins, and, as you can see, I didn't even have to finish the As to come up with this list.

The Greeks, it must be said, are suffering from something of a PR problem. Wine lovers, however, have special reason to be grateful to them, for the Ancient Greeks seem to have been instrumental in bringing grapes and specifically wine-making to most, if not all of the Mediterranean countries. From Sicily and Italy, through to Spain and of course, France, the Greeks feature heavily in the history of vines and wines.



Vines were officially brought to France by the Romans in 125BC to the then island off the south coast of France at La Clape. Ancient Rome was an empire built on bureaucracy as well as brute force and they have left us firm written evidence of their work. The Greeks had probably got as far as the Rhone Valley with their vines well before this date, but failed to record their exploits. Oh dear, that habit of not making official records seems to be a hard one to break...

While modern Italy and Greece may not be flavour of the month with their fellow Eurozone members, we wine drinkers should perhaps remember what to be grateful for. Here are some recommended wines from the Languedoc-Roussillon, that vaste swathe of vine-growing that spreads from the right bank of the River Rhone to the Pyrenees and the border with Spain and the jumping off point for ancient wine growers. The region is something of an economic underdog, with none of the swank and hauteur of Bordeaux. What they lack in flash Châteaux and shiny Mercs though, they make up for in great terroirs and some gifted, committed winemakers – and reasonable prices.

Virgile Joly of Domaine Virgile Joly


Château d'Anglès Blanc Classique 2009 - £10.95 at Slurp.co.uk
This white wine springs from the inhospitable, hump-backed outcrop of limestone that is La Clape (no sniggering at the back), which lies between the ancient Roman port of Narbonne, or Narbo Martius to the first inhabitants, and the sea. Nothing much grows here, except vines, wind-blasted pines and olive trees, as there is no soil to speak of; the Mediterranean sun beats down relentlessly, dazzling as it reflects off the bright white of the limestone; it hardly ever rains and it is always windy. Not too promising a site to make any wine, but especially not white wine you might think.

But there is wonderful freshness in this blend of Grenache blanc, Bourboulenc, Marsanne and Roussanne (the eagle-eyed amongst you will no doubt spot this this is pretty much a recipe for white Châteauneuf-du-Pape, but not at Châteauneuf prices). The aromas are floral and chalky, leading onto a broad-in-the-beam palate of peppery, herbal flavours.

Domaine Virgile Joly Saturne Rouge 2009 – newly-listed at organic specialists Vintage Roots at around £15.50
Virgile Joly is a leading light of organic viticulture down in the Languedoc. You can read about his beginnings as a winemaker in Patrick Moon's very readable memoir, Virgile's Vineyard: a year in the Languedoc wine country. And have a glass of this beside you while you read, a blend of Grenache, Syrah and Carignan plus a little Cinsault. It was aged in concrete tank, so there is no oak to disguise the flavours of the fruit. It's a smooth beast, with the warmth of the south in a hot year – but its minerality gives it freshness and structure. Made from organic grapes, using natural yeasts and minimum amounts of sulphur.








Domaine de Montcalmès 2005 – The Wine Society has the 2004 for £17 or the 2007 for £21. Les Caves de Pyrène at Artington near Guildford has the 2008 for £23.49
This is a classic southern French cocktail of 60% Syrah, with 20% each of Grenache and Mourvèdre – a blend more snappily known as GSM downunder in Australia. Oak-ageing (this has had two years) and that amount of Syrah can dominate a wine, but not here: the damson fruit is fresh and juicy, with savoury notes of tar and spice. It has balance and freshness in abundance.






Mas Amiel Maury 1975 – hard to find in the UK; Caves de Pyrène have the 2009 for £21.49 and Slurp.co.uk £17.95. Closest in style to the 1975 would be the 15 year old Prestige, £23.50 from Lea & Sandeman
Oft overlooked treasures of Roussillon, in the foothills of the Pyrenees, are the aged fortified wines of Maury, Banyuls and Collioure. This one started its life in the same way as Port – that is the fermentation was brought to a premature halt by adding grape spirit, resulting in a wine that still has some sweetness, plus high alcohol. But thereafter comes a quirk: ageing in glass demijohns, which are left outside, exposed to the sun's light and heat, as well the huge differences in temperature between day and night. A year of this seemingly foolhardy treatment oxidises the wine quite thoroughly; normally a disaster for dry wines, it is the making of these “vins doux naturels”. After the demijohns the wine is put in to large, very old oak casks to age further – in this case a further 26 years. These wines have a unique “rancio” character, which sounds bad but means a delicious tangy array of flavours including figs, dates, butterscotch, orange marmalade and nuts. In short, yum.