It’s easy to become mired in an, albeit very comfortable,
wine-drinking rut. A glass of your
favourite New Zealand Sauvignon Blanc/Rioja/Spanish rosé (delete as
appropriate) of an evening is like slipping on a pair of comfy slippers, or settling
into the sofa to watch an episode of Midsomer Murders. It’s all about comfort and familiarity, immersing
yourself in something you know you are going to enjoy, without the need to make
an effort.
Every now and again, however, we need to give our
comfortable lives a bit of shock treatment, shake things up, upset the
routine. Some very energetic people
might consider taking up a new sport or learning a new language in order to
challenge themselves; I get my thrills from trying new grape varieties from
unfamiliar places.
I got the chance to take a walk on the wild side and
undertake a mini grape variety safari this week, at a tasting billed as
“Emerging Regions”. Some were more
emerging than others: Spain? Chile? Germany?
Some were genuinely new to wine production, such as India. Others were emerging only in the sense that
their wines are as yet relatively unknown here in the UK, yet wines have been
made there for hundreds, if not thousands, of years.
There is a fairly genteel and slow motion spat taking place
in the wine world at the moment, concerning the origins of grape-growing and
winemaking. Archaeological evidence from
Georgia and the Transcaucasus region provides evidence for winemaking there
since 4,000 BC, with many believing actual winemaking going back further, to
7,000 BC. However, the more recent
science of DNA analysis has thrown up additional, and perhaps contradictory,
evidence which could mean that Turkey was the cradle of winemaking, perhaps as
far back as 9,000 BC. Whatever the
outcome of this academic tussle, what is clear is that Georgia and Turkey are
home to a host of unique grape varieties, many of which may be very ancient in
origin.
If you come across Georgian wines, you’ll be faced with an
intriguing choice of tongue-twisting grape varieties such as the white Mtsvane and Rkatsiteli, plus the more user-friendly red Saperavi, often fermented in
Qvevri (large terracotta vessels, similar to ancient amphorae).
Over the border in Turkey there is another world of native
varieties to discover. The names can
look scary, but the secret seems to be to go at them with gusto, imagining
yourself an Italian speaking German and deliver them with confidence. Unless you are speaking to a native Turk,
they probably have no more idea than you do.
I found the whites I tasted made from Emir and Narince pretty simple,
but the reds from Öküzgözü (or ox eye in English), Kalecik Karasi and the
splendidly named Boğazkere (meaning throat scraper!) full of character and appeal. Look out for them the next time you eat in a
Turkish restaurant, as this is still where you’re most likely to find them at
the moment.
I admit to having wine-spotter tendencies. I don’t possess a notebook listing all the
varieties that I taste and hardly ever wear my anorak except for country
walks. However, I do get a bit of a kick
out of trying new and unusual grapes, so the Emerging Regions tasting was a
happy hunting ground.
Graševina from Croatia may be more familiar to you than you
think, if you’re a wine drinker of a certain vintage. I remember my Dad picking up a bottle of
Lutomer Laski Riesling from Peter Dominic back in the Seventies, presumably for
the ladies to sip with their beef stroganoff – Graševina is that same
grape. Freed from lowest common
denominator collective farming and the dead hand of state-controlled
wine-making, it makes a nicely peachy, soft and flavourful wine. Dropping the Riesling from the name is also helpful
– it is not related to that grape, which (very unfairly) has its own image
problem in this country. More complex white
wines are also made from the Pošip grape, primarily on the Croation islands of
Dalmatia.
Romania is having something of a success at the moment with
its soft, spicy and very reasonably priced Pinot Noir. I hope that consumer acceptance of the notion
of quality wines from here will also help to open the way for the country’s
cracking native varieties: the white
Fetească Alba and especially its black counterpart Fetească Neagră deserve a
wider audience. Not as easy to say as
Pinot Noir, perhaps, but worth searching out.
I rounded off my grape safari by bagging a brace of
Macedonian varieties – white Zilavka and red Vranec (or Vranac). The red, in particular, impressed me with its
full-bodied, dusky spice and black fruit.
After all that vinous adventuring, did I continue the theme
with a glass of something new and stimulating with dinner? Nah, a glass of Rioja and a bowl of chilli
con carne did just fine.
Searching out
the new is all very well but, in the wise words of Ol’ Blue Eyes himself, “It’s
very nice to go travelling. But it’s oh so nice to come home.”
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